Portal:Music

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The Music Portal

Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer.

Music often plays a key role in social events and religious ceremony. The techniques of making music are often transmitted as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles. Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games.

Listening to music is a common means of entertainment. The culture surrounding music extends into areas of academic study, journalism, philosophy, psychology, and therapy. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and publishers of sheet music and recordings. Technology facilitating the recording and reproduction of music has historically included sheet music, microphones, phonographs, and tape machines, with playback of digital musics being a common use for MP3 players, CD players, and smartphones. (Full article...)

General images - load new batch

The following are images from various music-related articles on Wikipedia.

Image 1The monumental Bianzhong of Marquis Yi of Zeng, c. 5th century BCE, from Hubei (from History of music)
Image 2Taylor Swift, a longtime adherent to album-era rollouts, surprise-released her albums instead in 2020. (from Album era)
Image 3The logo for Apple Inc.'s online iTunes store, which sells digital files of songs and musical pieces–along with a range of other content, such as digital files of TV shows and movies (from Music industry)
Image 4Clara and Robert Schumann (from History of music)
Image 5Platinum records by Elvis Presley, Prince, Madonna, Lynyrd Skynyrd, and Bruce Springsteen, at Julien's Auctions (from Album era)
Image 6A radio broadcasting system from 1906 (from Music industry)
Image 7c. 379 CE Bas relief of Sassanid women playing the chang in Taq-e Bostan, Iran (from History of music)
Image 8Stevie Wonder, among the era's innovative artists (from Album era)
Image 9Frank Sinatra (c. 1955), an early pop album artist (from Album era)
Image 10As LPs fell out of favor to CDs, hip hop producers repurposed them as sampling sources, contributing to the development of record collecting. (from Album era)
Image 11An LP record on a phonograph (from Album era)
Image 12The portable Discman CD player, which was released in 1984 and precipitated the displacement of LPs (from Album era)
Image 13Terracotta statue of a Parthian lute player (from History of music)
Image 14A young couple listening to music on an iPod Mini, 2006 (from Album era)
Image 15Drawing of the tablet with the Hymn to Nikkal (c. 1400 BCE), the oldest of the Hurrian songs (from History of music)
Image 16Pink Floyd (1973) performing The Dark Side of the Moon, a leading commercial success of the LP era (from Album era)
Image 17The Beatles (1964) have been credited by music historians for heralding the album era. (from Album era)
Image 18Two musicians of the Eastern Han Dynasty (25–220 CE), Shanghai Museum (from History of music)
Image 19A musician in a recording studio (from Music industry)
Image 20J. S. Bach (from History of music)
Image 21The Japanese boy band Arashi, who had the world's best-selling album (5x20 All the Best!!) in 2019 (from Album era)
Image 22A young man browsing through a record store in Bonn, West Germany, June 1988 (from Album era)
Image 23Notation indicating differing pitch, dynamics, articulation, and instrumentation (from Elements of music)
Image 24A studio engineer working with an audio mixer in a recording studio (from Music industry)
Image 25A Rhodes College student listening to the 1969 Yes LP on campus, c. 1970 (from Album era)
Image 26Sheet music for part of the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina (from History of music)
Image 27An audience watching a concert (from Music industry)
Image 28Musicians working in a recording studio (from Music industry)
Image 29Guillaume Du Fay (left), with Gilles Binchois (right) in a c. 1440 Illuminated manuscript copy of Martin le Franc's Le champion des dames (from History of music)
Image 30Beyoncé (2016) popularized the surprise-album strategy of the 2010s. (from Album era)
Image 31The Bull Headed Lyre of Ur, found in the Royal Cemetery at Ur, is the best known of the ancient Lyres of Ur (from History of music)
Image 32US vinyl sales in units, 1995–2020; while album sales overall declined, those in the vinyl format rose toward the end of the 2010s. (from Album era)
Image 33A live musical performance at Cologne Pride, 2013 (from Music industry)
Image 34Frances Densmore at the Smithsonian Institution in 1916 where she was recording Blackfoot chief Mountain Chief for the Bureau of American Ethnology. In this picture, Mountain Chief is listening to a recording. (from Music industry)
Image 35Circular definition of "musicality" (from Elements of music)
Image 36The Rolling Stones in 1967 (from Album era)
Image 37An example of mechanically printed sheet music (from Music industry)
Image 38Alleluia nativitas by Perotin from the Codex Guelf.1099 (from History of music)
Image 39An HMV record shop in Wakefield, England closing its operation in 2013 (from Album era)
Image 40Kanye West (2007) emerged during the decade as an important hip-hop producer and album artist. (from Album era)
Image 41A smartphone displaying playlists on Spotify, 2010. The streaming service became a dominant and redefining platform for music consumption through the decade. (from Album era)

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Featured articles - load new batch

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

Image 1
Anodyne is the fourth and final studio album by alternative country band Uncle Tupelo, released on October 5, 1993. The recording of the album was preceded by the departure of the original drummer Mike Heidorn and the addition of three new band members: bassist John Stirratt, drummer Ken Coomer, and multi-instrumentalist Max Johnston. The band signed with Sire Records shortly before recording the album; Anodyne was Uncle Tupelo's only major label release until 89/93: An Anthology in 2002.

Recorded in Austin, Texas, Anodyne featured a split in songwriting credits between singers Jay Farrar and Jeff Tweedy, plus a cover version of the Doug Sahm song "Give Back the Key to My Heart", with Sahm on vocals. The lyrical themes were influenced by country music and—more than their preceding releases—touched on interpersonal relationships. After two promotional tours for the album, tensions between Farrar and Tweedy culminated in the breakup of Uncle Tupelo. Well-received upon its initial release, Anodyne was re-mastered and re-released in 2003 by Rhino Entertainment including five bonus tracks. (Full article...)
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"Forever" is a rock and roll and pop song recorded by American singer Mariah Carey for her fifth studio album, Daydream (1995). Columbia Records released it to American radio stations for airplay on June 18, 1996, as the album's fifth single. The lyrics, written by Carey, are about one's continued affection despite the end of a romantic relationship. She composed the music and produced the song with Walter Afanasieff. Described by critics as referencing American music of the 1950s and 1960s, "Forever" is a doo-wop-influenced sentimental ballad in the form of a waltz. Its composition includes keyboards, guitars, and programming.

Music critics gave Carey's performance and the composition positive reviews; some viewed the song as unremarkable compared to others on the album. "Forever" reached number nine on the Billboard Hot 100 Airplay chart in the US and number 11 on the RPM Hit Tracks list in Canada. In both countries it achieved the most success on adult contemporary stations. The single entered the bottom half of charts in Australia, New Zealand, and the Netherlands. Carey performed "Forever" during the 1996 Daydream World Tour. Her performance at the Tokyo Dome in Japan was released as the music video. Columbia later included the song on Carey's compilation album Greatest Hits (2001). (Full article...)
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Hector Berlioz was the first to use the term "choral symphony" for a musical composition—his Roméo et Juliette.

A choral symphony is a musical composition for orchestra, choir, and sometimes solo vocalists that, in its internal workings and overall musical architecture, adheres broadly to symphonic musical form. The term "choral symphony" in this context was coined by Hector Berlioz when he described his Roméo et Juliette as such in his five-paragraph introduction to that work. The direct antecedent for the choral symphony is Ludwig van Beethoven's Ninth Symphony. Beethoven's Ninth incorporates part of the ode An die Freude ("Ode to Joy"), a poem by Friedrich Schiller, with text sung by soloists and chorus in the last movement. It is the first example of a major composer's use of the human voice on the same level as instruments in a symphony.

A few 19th-century composers, notably Felix Mendelssohn and Franz Liszt, followed Beethoven in producing choral symphonic works. Notable works in the genre were produced in the 20th century by Gustav Mahler, Igor Stravinsky, Ralph Vaughan Williams, Benjamin Britten and Dmitri Shostakovich, among others. The final years of the 20th century and the opening of the 21st century have seen several new works in this genre, among them compositions by Mikis Theodorakis, Peter Maxwell Davies, Tan Dun, Philip Glass, Hans Werner Henze, Krzysztof Penderecki, William Bolcom and Robert Strassburg. (Full article...)
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Halo 3 Original Soundtrack is the official soundtrack to Bungie's first-person shooter video game Halo 3. Most of the original music was composed by Martin O'Donnell and Michael Salvatori, but also includes a bonus track, "LvUrFR3NZ", which was the winning entry in a contest held before the soundtrack's release. The 2-CD set was released on November 20, 2007.

For the next game in the Halo trilogy, O'Donnell added new themes as well as bringing back and expanding old ones, some of which had never been recorded with a full orchestra before. The score made extensive use of the piano, an instrument which O'Donnell used frequently for composition but that had not been featured in previous Halo music. In addition to scoring the game, the music was used for promotional advertisements and trailers preceding Halo 3's release. The game's score and its soundtrack were generally well received. The soundtrack reached the Billboard 200 chart, and also broke the top twenty best-selling soundtracks and independent albums listings. The score was nominated for X-Play's "Best of 2007" awards, under best original soundtrack. (Full article...)
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It Was Hot, We Stayed in the Water is the second studio album by American indie folk and indie rock band the Microphones. It was released by K Records on September 26, 2000. After gaining a small following with 1999's Don't Wake Me Up, frontman Phil Elverum recorded It Was Hot at Dub Narcotic Studio in Olympia, Washington, between September 1999 and March 2000. Recorded on analog tape, Elverum embraced the medium's technical imperfections. Classified by critics as indie rock, lo-fi, and indie pop, It Was Hot revolves thematically around the concept of water, with lyrics focusing on nature. The 11-minute track "The Glow" acts as the album's climax and introduces the concept of the "glow", which would be explored in more depth on the Microphones' subsequent studio album, The Glow Pt. 2.

On release, It Was Hot received positive reviews from Pitchfork, AllMusic, Rock Sound, and NME. Pitchfork listed the album at number seven in their "Top 20 Albums of 2000". Following its 2013 reissue, the album was critically reappraised, receiving positive reviews from PopMatters, Consequence of Sound, and Treblezine. The album is frequently compared to, and commonly said to be overshadowed by, The Glow Pt. 2. (Full article...)
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Fauré in 1907

The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. His compositions for piano, written between the 1860s and the 1920s, include some of his best-known works.

Fauré's major sets of piano works are thirteen nocturnes, thirteen barcarolles, six impromptus, and four valses-caprices. These sets were composed during several decades in his long career, and display the change in his style from uncomplicated youthful charm to a final enigmatic, but sometimes fiery introspection, by way of a turbulent period in his middle years. His other notable piano pieces, including shorter works, or collections composed or published as a set, are Romances sans paroles, Ballade in F♯ major, Mazurka in B♭ major, Thème et variations in C♯ minor, and Huit pièces brèves. For piano duet, Fauré composed the Dolly Suite and, together with his friend and former pupil André Messager, an exuberant parody of Wagner in the short suite Souvenirs de Bayreuth. (Full article...)
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Zappa performing at Ekeberghallen in Oslo, Norway, in 1977

Frank Vincent Zappa (/ˈzæpə/ ZAP-ə; December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.

As a mostly self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while simultaneously playing drums in rhythm and blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined satirical but seemingly conventional rock and roll songs with extended sound collages. He continued this eclectic and experimental approach throughout his career. (Full article...)
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Narayan in 1974

Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.

Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)
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Manuscript of BWV 161 with subheading and dynamical markings added by Bach

Johann Sebastian Bach composed the church cantata Komm, du süße Todesstunde (Come, you sweet hour of death), BWV 161, in Weimar for the 16th Sunday after Trinity, probably first performed on 27 September 1716.

Bach had taken up regular cantata composition two years before when he was promoted to concertmaster at the Weimar court, writing one cantata per month to be performed in the Schlosskirche, the court chapel in the ducal Schloss. The text of Komm, du süße Todesstunde, and of most other cantatas written in Weimar, was provided by court poet Salomon Franck. He based it on the prescribed gospel reading about the young man from Nain. His text reflects on longing for death, seen as a transition to a life united with Jesus. The text includes as a closing chorale the fourth stanza of the hymn "Herzlich tut mich verlangen" by Christoph Knoll. (Full article...)
$Image 10 Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements. The cycle consists of sixteen sonatas (thirteen of which are cast in binary form, the remaining three in ternary form) and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines. (Full article...)$

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Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements.

The cycle consists of sixteen sonatas (thirteen of which are cast in binary form, the remaining three in ternary form) and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines. (Full article...)
Image 11
"Can't Get You Out of My Head" is a song recorded by Australian singer Kylie Minogue for her eighth studio album, Fever (2001). Parlophone Records released the song as the album's lead single on 8 September 2001. "Can't Get You Out of My Head", which was written and produced by Cathy Dennis and Rob Davis, is a dance-pop, techno-pop and nu-disco song that is known for its "la la la" hook. Its lyrics are about obsession with a love interest. Music critics praised the song's production and Minogue's vocals and labelled it a highlight of Fever.

The song reached number one on the charts in 40 countries worldwide. It peaked at number one on the UK Singles Chart for four weeks and was certified three-times platinum by the British Phonographic Industry (BPI). It also topped the Australian Singles Chart and received a three-times Platinum certification from the Australian Recording Industry Association. In the United States, the song peaked at number seven on the Billboard Hot 100 chart and became Minogue's first US top-ten single in 13 years. As of 2018^[update], the track has sold over five million copies worldwide. (Full article...)
$Image 12 "Today" is a song by American alternative rock band the Smashing Pumpkins, written by lead vocalist and guitarist Billy Corgan. The song, though seemingly upbeat, contains dark lyrics; Corgan wrote the song about a day in which he was having suicidal thoughts. The contrast between the grim subject matter of the song and the soft instrumental part during the verses, coupled with use of irony in the lyrics, left many listeners unaware of the song's tale of depression and desperation. The song alternates between quiet, dreamy verses and loud choruses with layered, distorted guitars. "Today" was released in September 1993 as the second single from the band's second album and major label debut, Siamese Dream. "Today" and its follow-up "Disarm" are credited in AllMusic for popularizing the band and "sen[ding] [Siamese Dream] into the stratosphere". "Today" has been generally well received by critics; a Blender article described it as having "achieved a remarkable status as one of the defining songs of its generation, perfectly mirroring the fractured alienation of American youth in the 1990s". (Full article...)$

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"Today" is a song by American alternative rock band the Smashing Pumpkins, written by lead vocalist and guitarist Billy Corgan. The song, though seemingly upbeat, contains dark lyrics; Corgan wrote the song about a day in which he was having suicidal thoughts. The contrast between the grim subject matter of the song and the soft instrumental part during the verses, coupled with use of irony in the lyrics, left many listeners unaware of the song's tale of depression and desperation. The song alternates between quiet, dreamy verses and loud choruses with layered, distorted guitars.

"Today" was released in September 1993 as the second single from the band's second album and major label debut, Siamese Dream. "Today" and its follow-up "Disarm" are credited in AllMusic for popularizing the band and "sen[ding] [Siamese Dream] into the stratosphere". "Today" has been generally well received by critics; a Blender article described it as having "achieved a remarkable status as one of the defining songs of its generation, perfectly mirroring the fractured alienation of American youth in the 1990s". (Full article...)
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"S&M" is a song by Barbadian singer Rihanna from her fifth studio album Loud (2010). The song was released on January 23, 2011, as the fourth single from the album. American songwriter Ester Dean wrote "S&M" in collaboration with the producers Stargate and Sandy Vee. Backed by bass beats, a keyboard and guitars, it is an uptempo Hi-NRG and Eurodance track with lyrics about sexual intercourse, sadomasochism, bondage, and fetishes.

Critical response to "S&M" was mixed; some critics praised its sound and composition, while others criticized its overtly sexual lyrics. After it reached number two on the United States' Billboard Hot 100 chart, a remix featuring Britney Spears was released. When combined with sales of the solo version, it became Rihanna's tenth and Spears' fifth number-one single on the chart. It has been certified sextuple platinum by the Recording Industry Association of America (RIAA) and in Australia. "S&M" peaked at number one in six other countries while peaking within the top ten in twenty-two additional countries. (Full article...)
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"Irreplaceable" is a song by American singer and songwriter Beyoncé for her second studio album, B'Day (2006). The song was written by Shaffer "Ne-Yo" Smith, Tor Erik Hermansen, Mikkel S. Eriksen, Espen Lind, Amund Bjørklund, and Beyoncé; and produced by Stargate and Beyoncé. "Irreplaceable" was originally a country record; it was re-arranged as a mid-tempo ballad with pop and R&B influences by modifying the vocal arrangements and instrumentation. During the production and recording sessions, Beyoncé and Ne-Yo wanted to create a record which people of either gender could relate to. The song's lyrics are about the breakdown of a relationship with an unfaithful man and the song contains a message about female empowerment.

Following the moderate chart performances of "Déjà Vu" and "Ring the Alarm", "Irreplaceable" was released internationally on October 23, 2006, as the album's second single, and the third in the United States on December 5, 2006. The single was released through Columbia Records. Pitchfork Media and Rolling Stone placed it on their lists of Best Songs of the 2000s. "Irreplaceable" won several awards, including Best R&B/Soul Single at the 2007 Soul Train Music Awards. It was nominated for the Record of the Year award at the 50th Grammy Awards. (Full article...)
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"Delicate" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). She wrote the song with the producers Max Martin and Shellback. Inspired by events surrounding Swift's celebrity and personal life, the lyrics depict a narrator's vulnerability when she ponders if her reputation would affect the blossoming romance. "Delicate" is an electropop and synth-pop ballad that features vocals manipulated with a vocoder. Its production incorporates dense synthesizers and beats that evoke tropical house and dancehall.

Directed by Joseph Kahn and filmed in Los Angeles, the music video for "Delicate" premiered on March 11, 2018, at the iHeartRadio Music Awards. In the video, after becoming invisible upon receiving a mysterious note, Swift dances barefoot through public places and ultimately becomes visible again after dancing in a pouring rain. Critics interpreted the video as Swift's autobiographical reference to her personal life, as she had retreated herself from the press leading up to the release of Reputation. A day following the video's release, Big Machine and Republic Records released "Delicate" as the album's fourth single to pop radio. (Full article...)

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Selected pictures

Image 1
William Grant Still
Photograph credit: Carl Van Vechten; restored by Adam Cuerden
William Grant Still (1895–1978) was an American composer of nearly 200 works, including five symphonies and nine operas. Often referred to as the "Dean of Afro-American Composers", Still was the first American composer to have an opera produced by the New York City Opera. His first symphony, entitled Afro-American Symphony, was until 1950 the most widely performed symphony composed by an American. Born in Mississippi, he grew up in Little Rock, Arkansas, attended Wilberforce University and Oberlin Conservatory of Music, and was a student of George Whitefield Chadwick and later Edgard Varèse. Still was the first African American to conduct a major American symphony orchestra and the first to have an opera performed on national television. Due to his close association and collaboration with prominent African-American literary and cultural figures, he is considered to be part of the Harlem Renaissance movement.

This picture of Still was taken by Carl Van Vechten in 1949; the photograph is in the collection of the Library of Congress in Washington, D.C.
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Hera Hjartardóttir
Photo: Kyle Cassidy
Hera is an Icelandic singer-songwriter who emigrated to New Zealand as a teenager. She is known for her facial art, which is "inspired by moko and also by Celtic warrior paint" and intended to represent both her Icelandic and New Zealand heritage. In 2002 she was named Best Female Singer at the Icelandic Music Awards.
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Zürich Opera House
Photograph: Roland Fischer
The Zürich Opera House is an opera house in the Swiss city of Zürich. Located at the Sechseläutenplatz, it has been the home of the Zürich Opera since the current building was completed in 1891. It also houses the Bernhard-Theater Zürich.
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Bessie Smith
Photograph credit: Carl Van Vechten; restored by Adam Cuerden
Bessie Smith (April 15, 1894 – September 26, 1937) was an American blues singer widely renowned during the Jazz Age. She is often regarded as one of the greatest singers of her era and was a major influence on fellow blues singers, as well as jazz vocalists.

Born in Chattanooga, Tennessee, her parents died when Smith was young, and she and her sister survived by performing on the streets of Chattanooga, Tennessee. She began touring and performed in a group that included Ma Rainey, and then went out on her own. Her successful recording career began in the 1920s, until an automobile accident ended her life at age 43.
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Simon Neil
Photograph: Achim Raschka
Simon Neil (b. 1979) is a Scottish vocalist, guitarist, and songwriter. Born in Irvine, he established the band Biffy Clyro in 1995 with James and Ben Johnston. He has also played with JP Reid of Sucioperro in Marmaduke Duke, using the pseudonym "The Atmosphere", and started a solo career.
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Thomas Linley the elder
Painting: Thomas Gainsborough
Thomas Linley the elder (17 January 1733 – 19 November 1795) was an English bass singer and musician. He began his musical career at age 11 in Bath, becoming apprentice to the organist Thomas Chilcot. Linley married in 1752 and fathered eight children, supporting the family by working as a music teacher. As his children grew he developed their musical talent and was able to draw an increasing amount of income from their concerts. When the Bath Assembly Rooms opened in 1771, Linley became musical director and continued to promote his children's careers. He was eventually able to move to London with the thousands of pounds which he had amassed from their concerts. In addition to his children Linley taught tenor Charles Dignum, singer and actress Anna Maria Crouch, and novelist Frances Sheridan. He collaborated with his son Thomas Linley the younger in penning the comic opera The Duenna, with libretto by his son-in-law Richard Brinsley Sheridan.

This picture is an oil-on-canvas painting created around 1770 by Thomas Gainsborough, showing Linley holding his "Elegies for Three Voices". It hangs in the Dulwich Picture Gallery, London.
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Franz Lehár
Photograph: Bain News Service; restoration: Adam Cuerden
Franz Lehár (1870–1948) was an Austro-Hungarian composer mainly known for his operettas, the most successful and best known being The Merry Widow. He also wrote sonatas, symphonic poems and marches.
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Lina Rafn
Photo: Jepsen
Lina Rafn (b. 1976) is a Danish singer, songwriter and producer active with the band Infernal. She had previously been a VJ on the show The Voice TV Danmark.
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Nina Sublatti
Photograph: Ailura
Nina Sublatti (b. 1995) is a Georgian singer, songwriter, and model. Having previously won the 2013 Georgian edition of Idol, she achieved international attention when she represented her country in Eurovision Song Contest 2015 with her song "Warrior". She has since served as a judge on X Factor Georgia and Idols.
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Samuel Coleridge-Taylor
Photograph credit: unknown; restored by Adam Cuerden
Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was an English composer and conductor. His greatest success was his cantata Hiawatha's Wedding Feast. This set the epic poem The Song of Hiawatha by Henry Wadsworth Longfellow to music, and was widely performed by choral groups in England and the United States. Composers were not well paid; the work sold hundreds of thousands of copies, but he had sold the music outright for the sum of 15 guineas, so did not benefit directly. He learned to retain his rights and earned royalties for other compositions after achieving wide renown, but always struggled financially. This photograph of Coleridge-Taylor was taken around 1905.
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Billy Strayhorn
Photograph credit: William P. Gottlieb; restored by Adam Cuerden
Billy Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, best remembered for his long-time collaboration with bandleader and composer Duke Ellington that lasted nearly three decades. Though classical music was Strayhorn's first love, his ambition to become a classical composer went unrealized because of the harsh reality of a black man trying to make his way in the world of classical music, which at that time was almost completely white. He was introduced to the music of pianists like Art Tatum and Teddy Wilson at age 19, and the artistic influence of these musicians guided him into the realm of jazz, where he remained for the rest of his life. This photograph of Strayhorn was taken by William P. Gottlieb in the 1940s.
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Nelly Martyl
Photograph credit: Jean Reutlinger; restored by Adam Cuerden
Nelly Martyl (1884–1953) was a French opera singer. She sang in the premieres of several operas, including Leborne's La Catalane (1907), Erlanger's La Sorcière (1912), and Massenet's Amadis (1922). Martyl joined the Red Cross as a nurse during the First World War, and served at the Battle of Verdun in 1916, where she was known as la fée de Verdun (the Fairy of Verdun), and at the Second Battle of the Aisne in 1917. She continued as a nurse after the war to help with the 1918 epidemic of Spanish flu. She was awarded the Croix de Guerre with the carte du combattant (signifying service under particular hazard) in 1920.
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Image 13
Ane Brun
Photo: Benoît Derrier; edit: Keraunoscopia
Ane Brun (b. 1976) is a Norwegian songwriter, guitarist and vocalist. She has recorded eight albums, starting in 2003 with Spending Time with Morgan.
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Ludwig van Beethoven
Photo: W. J. Mayer; Restoration: Lise Broer
A bust of the German composer and pianist Ludwig van Beethoven (1770–1827), made from his death mask. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most acclaimed and influential composers of all time. Born in Bonn, of the Electorate of Cologne and a part of the Holy Roman Empire of the German Nation in present-day Germany, he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in the late 1790s, yet he continued to compose, conduct, and perform, even after becoming completely deaf.
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Frédéric Chopin
Photo credit: Louis-Auguste Bisson
The only known photograph of Frédéric Chopin, often incorrectly described as a daguerreotype. It is believed to have been taken in 1849 during the degenerative stages of his tuberculosis, shortly before his death. Chopin, a Polish pianist and composer of the Romantic era, is widely regarded as one of the most famous, influential, admired and prolific composers for the piano. He moved to Paris at the age of twenty, adopting the French variant of his name, "Frédéric-François", by which he is now known.
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